Fangirling | On Thursday, when I couldn’t be in London for the 10 years anniversary show for Tape Deck Heart, I listened to the whole album on the way to work and back. I thought about doing “10 things about Tape Deck Heart”, but then couldn’t really make up my mind if I should do it here or on my Insta Stories and then the moment passed. Not completely though, so here a few random thoughts on this album. From the top of my head.
Almost ten years in and I still don’t know and even less can sing all the words to “Recovery”
“as I’ve reached that shore, I’m not sure how to feel”. This “shore – sure” must have been one of the first times I thought “Hah, that’s neat, phonetically!” and I might even have emailed Frank about it.
“The Way I Tend To Be” and “Polaroid Picture” contains quite a few meaningful (to me at least) lyrics, which I probably have over-used as titles to blog posts here in the past.
I can’t NOT drum along to the big drum part at the start of the bridge in “Plain Sailing Weather”. On my legs, my steering wheel or my favourite of course on top of the barrier at a gig
The whole “When I thought that suffering was something profound…” bit in “Tell Tale Signs” was one of the first times I realized that Frank might be just as messed up as me. What a revelation. What a comfort!
It’s the rule to sing “Oh so low” in the lowest voice possible wherever you are when you hear the Four Simple Words, right?
“More than just a pair of sinking ships” (Anymore) might be the most heartbreaking sea-related metaphor he ever used
Not quite ten for ten, but it’ll have to do. And that’s all I have to say today, really. Like I said. Laaaaazy day.
Musical | My favourite musical – “Operation Mincemeat” – is being transferred to a stage in the West End in London next year. Holy shit! To be honest, I have no idea how the process works of getting a new-ish musical to be performed on a stage in one of the two most renowned theatre areas in the world (Broadway being the other one, of course). But I’m pretty sure that it is a BIG deal. Especially as this one was written by “Spitlip” an absolute newcomer in the business. It’s their first ever musical.
Felix, Natasha, Zoe and David from SpitLip after they won their first award
A lot of people in the theatre / creative art scene helped them get there. But none the less. They made it to a West End stage. I’m so excited for them, because I just love their work and from my own experience of meeting them after shows in the past and their interaction on social media, I think they are just bloody lovely people. And yes, of course, I’m going to be there to watch it. Multiple times. In April 2023. Probably again in June. We’ll see. I’ve been a fan of Felix Hagan’s music since Frank Turner (him, again!) took “Felix Hagan & The Family” (Tash being one of the ‘background’ singers) on tour as support in 2016. This clip gives you a good idea of what wonderful glittery glam-rock their music and shows are
I started following them on social media and got excited when I heard about the musical idea in 2018. Watched all the “work in progress” YouTube videos, was there for one of the first shows on their first run in April 2019 and was blown away right away. They reworked and refined parts of the show since then and it was super interesting to see the different versions of this show (in early 2020 and then again last summer). And I can’t wait to see it again next year.
Books | I’ve been reading quite a lot recently as well. Sometimes while streaming old / new TV shows in the background. I don’t know what that says about my (lack of) focus. I really enjoyed “Tomorrow, and Tomorrow, and Tomorrow”, which was a detour from my regular “rom-com / historical fiction / contemporary romance fiction” genres. But a good one. At the moment I’m reading a regular rom-com “Better Than Fiction”, which is nice. Nothing spectacular, but interesting enough characters and plot so far. Whenever I browse the sale / recommendation sites of my regular big chain book stores I get recommendations for two very successful female authors from the contemporary romance fiction genre. SO many recommendations because they’ve written so many books so far. I read one of each and I didn’t enjoy the one and the other I aborted before the midpoint mark. Every once in a while, I contemplate giving either one another chance, because they obviously must do something right to sell as many novels as they do. But then I can’t bring myself to do that and just pick different authors instead. A bit peevish maybe.
Fun | After the quite busy and stressful week I was glad to be able to relax with friends on Saturday. Playing games, chatting, enjoying time with each other. We really need to do that more often.
“Ticket to Ride: London”, 2022
And now…. off to the sofa, with a coffee, (e)book and a blanket, because winter made a first quick appearance here this weekend.
Lyrics: “Thatcher Fucked the Kids” – Frank Turner, 2006
Ever since I saw Frank play this song to a UK audience in Coventry (and Liverpool) about a month ago I had pondered writing this post. Or to at least gather my thoughts on the revival of this song and why I scream along to it with gusto, even though I do not live in the UK nor do I have or ever had a UK passport. Thatcher’s politics never ever personally affected me.
The song is from 2006 and was and still is a very harsh, honest, valid account of how much the so called “Thatcherism” hurt and messed up parts of the British society. And how these policies reverberated for years after and still do. For quite a long time (2010 onwards maybe?) Frank didn’t play the song live anymore. I think to avoid being put into a “lefty political songwriter” box for one. Maybe also to avoid the senseless shitstorm from conservative fans / journalists / people on social media. Either way we all considered the song to have been retired, except for the rare occasion of a “let’s play ALL songs of this time” concert (e.g. Lost Evenings) or live stream during the pandemic. The few times I heard it live before or even when it came on in one of my playlists, I liked to sing along, mostly probably because it is a catchy tune and sometimes it is fun and freeing to just bitch and swear about something.
I admit that until quite recently I didn’t really look into Thatcher’s politics. I knew she was a Tory and that she cut government spending, was anti-union and such. I never read up further or looked into the whole “free market”, privatisation, lowering taxes, restraining the unions side of it all. And I think it’s this neo-liberalism philosophy, which I hadn’t associated with her so much before, that makes me sing this song with so much more rage than before. Because I oppose most neo-liberal policies with a passion!
I’m happy that my Green party is part of the government coalition in Germany at the moment. But the other smaller partner in the 3-party coalition are the Liberals, which follow quite neoliberal philosophy these days. And I absolutely hate it! Whether it’s the current climate / energy crisis or how to handle the pandemic or the welfare state. Their “solution” also always is: free markets, wait for new technologies, but never ever impose any restrictions. Like a speed limit on the German motorways! All based on the idea that everybody shall be able to do as they please and that anyone can just pull themselves up by their bootstraps. Which we all know is not true!
So yeah, I’m rather frustrated by our German government these days, because even though the Liberals had the smallest share of votes, they seem to be the loudest in the government and seem to decide on policies more often than the other two. And I hate it, because I think their policies are wrong and hurtful and destructive on a societal level. Of course the neo-right party AfD and other groups (Anti-Vaxers, Pro-Russia) also add to the rift in our society, but it just pains me to see that these neo-liberal ideas seem to be such a huge part of our governmental strategy.
To bring this back to Frank. I don’t really know why he decided to put the song back on the setlist these days. At the two shows I saw he clearly stated his frustration with the current government before/after the song. Maybe he wanted to take a stand again. Or maybe he just wanted to provide his UK audience with a 3 – minutes emotional outlet for all their frustration with this government by singing along to this song so fiercely. It worked for my frustration with my government at least, so thanks for that, Frank.
For all my “Not-Frank-Fan” reader: here are the lyrics and here is the song:
