Frank “welcoming” back the crowd (or something like that)
Last night I was finally back in my happy place: at the barrier at a Frank Turner & the Sleeping Souls show and what a great start to the European tour was. A friend of mine always says “There is no day that cannot be made better by live music”. If it’s your favourite singer/songwriter with the full band, which I haven’t seen for a headline show in over two years, that’s more than true. I absolutely flipped out (mostly on the inside, introvert and all) when Frank played the very old song I asked him to for my 70th show. Following it with my absolute forever favourite song as well, which it later turned out my friend had requested for me and my 70th show. My heart was filled to the brim last night.
This won’t be a review or recap. I just wanted to put my joy and gratitude on record. So I can come back and remember it: the life-affirming, uplifting quality of time spent screaming along to songs I can so very well relate to. The emotional relief and sense of empowerment I take away from these moments.
I must have heard “Get Better” a million times in the last decade, and it’s always been one of my favourites, but it hit hard and in new ways yesterday. I’m always thrilled when a band / a song can do that.
The songs from the new album work great live and I haven’t seen such stunning lighting on stage all through the night since the “Be More Kind” tour in 2018, I think? It was amazing and probably even better seen for full effect from farther back. I’ll experience that at my gigs in November. On Sunday I’ll be back in my spot at the barrier for a 2nd time this week. And I can’t wait.
Lyrics “One Foot Before the Other” – Frank Turner, 2011
Yesterday I went out to tackle my next section of a “German Way of St. James” (on re-established historic pilgrim routes). Here are a few photos and some rambling thoughts on that.
Part 02: Natrup-Hagen – Lengerich (Stadtfeldmark) (KM 017 – 029) Saturday, 12 October 2024
One of many way markers
For anyone who’s checking the route on a map, I feel the need to state that I did not just walk the 9 km to the centre of Lengerich, but even further; to its outskirts, if you like. It’s a small town which encompasses quite a few villages and one of those – Stadtfeldmark – was where I ended my trip yesterday and hopped on the bus to take me back to a train station.
The original plan had been to hike a bit further, but due to cancelled and delayed trains in the morning – and also poor planning on my part re: parking near the train station – I arrived at my starting point of yesterday’s hike two hours (!!) later than originally planned! The bus I needed to get on at the end only goes once per hour and I was expecting more train trouble on the way back, so I stopped my walk early than planned after about 5 hours. Took the bus at 15:15, was home at 18:30-ish.
Autumn fields
Anyway, it was a lovely day out. I once again purposefully stayed off mails and social media for the day. I was not all the time as mindful about where I was and what I was doing as I had liked and once again spent more time, than I’d have liked ruminating / worrying / “in my head”, but at least I was and am aware of it and that’s a first step, right?
On my 2nd outing I brought a mat to be able to sit down anywhere I like without fear of getting my clothes dirty or wet (and also not to sit on something too cold). I loved how they easily constructed a bench here.
Better prepared this time
There were a few different way markers / signage on the way.
Sign on an old timber framed houseArtful stele markers along the way
Unlike last time the route yesterday took me mostly through rural settings, farmland, forests and all that, which was lovely.They were kind of curious (if I had some food, probably)Typical forest mood
I didn’t see as much “Indian summer” foliage as I had liked to be honest, but this was nice.
Autumn foliage
Towards the end the route took me a long a lot of long – not winding – roads.
Quite a few long narrow roads
Until I left the path at this point to head for the bus stop.
The end – for me on this section (for now)
Part 01: Osnabrück to Natrup-Hagen (KM 000 – 017), 15 September 2024
The post below were the first words I ever wrote about that “funny, little, yellow show”. Long before they moved to the Fortune Theatre with it’s fancy yellow curtain! Long before they came up with the logo they’ve been using for so long now. I think – and now just claim – my friends and I must have been among the first 300 people ever to have seen a full – two acts in a proper theatre – performance of this.
Being a “Mincefluencer” before anyone came up with that term!
Two different theatres and four years later they moved to the West End. Got their run extended and extended. Won a bloody Olivier Award! And now they’ve got a transfer the Broadway! OH MY GOD.
Father’s never been prouder
Program / Flyer of the first ever run
That was my tweet, right after the show
Just saw #OperationMincemeat at @newdiorama. OMG, so amazing and so much fun to watch. More detailed praise later, when I’m fed, showered and back in WiFi range. Stellar cast, fantastic score (@FelixHagan really went all out). Brilliant stage design too. Absolutely recommend
Many, many hours later, here are finally my thoughts (and praise) for “Operation Mincemeat”, the first musical written, composed and performed by Spitlip. I blame the Eurovision Song Contest for the delay and the fact, that I spent a lot of time last night (and today) on Spitlips’s Soundcloud and Youtube to listen to the available songs over and over again. I also researched some of the events and persons the whole story was about. And then to complicate my schedule, early this morning Frank Turner announced he’ll bring Lost Evenings IV to Berlin next year. So of course I had to discuss plans with my friends and find suitable and affordable rooms and… ARGH! Lost Evenings 2020 in Berlin! This is so incredibly cool!
But now… Spitlip and “Operation Mincemeat”. The musical is based on a true story of, well… “Operation Mincemeat” and while they might have taken some artistic liberty in regards to the characters and their relationships with each other, the fact remains, that this absolutely insane sounding deception operation actually did happen in 1943 and it did contribute to the Allied victory in WWII.
I should maybe say, that I usually don’t write elaborated reviews of any kind of entertainment. The one or other Frank Turner ging notwithstanding. So, this here is an audience fan account of the experience. I would never have heard of this project nor gone to see it, if one of my favourite artists – Felix Hagan – wasn’t involved and hadn’t been talking about it for a while. I’m a big fan of the ‘musical-flavoured’ big, powerful, glamorous tunes he’s been writing for Felix Hagan & the Family. And with the music for this epic 2 hour long musical he and his fellow writers have gone all out. It has everything from sea-shanty to heartbreaking love song, from feminist powerful Spice Girly pop and a power ballad full of self-doubt (and don’t I know that feeling, so this one absolutely hit home) to the big showtune celebrating extravagance in life in spite or more exact because of the ongoing war. The music overall was amazing and so were the lyrics. I was impressed by the wit and emotions and the pace of it all. But of course they didn’t just sing and dance, there was a story to tell and scenes to act out and the script was the right mix of hilarity and introspection, of coming-of-age story and social commentary. And often, oh so very funny.
For this musical the three acting members of Spitlip – Natasha Hodgson, Zoe Roberts and David Cumming – were joined by two more actors: Rory Furey-King and Jak Malone and all five people on stage were absolutely brilliant: all with great voices and such a wide range of acting skills. Because even though they each played one main character, they also portrayed many more throughout this whole story, whenever someone other than the five main characters needed to make an appearance. It was an impressive whirlwind, which was helped along by the outstanding set and costume design from Helen Coyston. The way in which the simple stage changed from one set to another and equally the actors switched roles from pathologist to night club singer to taciturn Scottish submariner and back again in mere seconds was absolutely fascinating to watch.
I have to admit it took me a few moments to really get accustomed to the switched gender roles in this play, where two of the main male characters – Montagu and Bevan – were played by women and one of the female main characters – Hester – played by a man. Yes, that sounds weird at first, but after the first few scenes I didn’t notice it anymore, especially once the whole cast convincingly started playing so many more characters of either gender. And it’s called acting for a reason, right?
I don’t really want to single out any members of this cast, because they were all so good. But, I just feel that I need to give two special shout-outs and I hope the remaining three forgive me. I really, really enjoyed Tash’s performance in this. I might be biased, because of course I know and love her from “Felix Hagan & the Family”, where she can’t always show what kind of great voice she has; being a ‘background’ *g* singer and all. The second shout-out needs to go to Jak Malone, for his absolute tear-jerking performance in the “love letter” scene. Yeah, I did sniffle a bit and I’m not ashamed to admit it. Such a great act. And also… so wonderful, moving lyrics. Maybe I should also give an small shout-out to ‘Nancy’ for making all those wonderful little notes 🙂
Summed up: I absolutely enjoyed this afternoon and while I’m pretty biased, because… Felix! and Tash!… I left the theatre under the impression that the rest of the audience enjoyed it just as much. I’m so happy for this new and small musical troupe that it seems to be going well. Fingers crossed! I’m also happy that we got the chance to tell them all in person after the show, because they’ve pulled off something amazing here and they all seemed genuinely humbled to hear how much we had enjoyed it. So I was glad I told them.
And if any of you find yourself in London in the next couple of weeks, you should definitely check them out! They’ll be at the New Diorama until Mid-June. Long enough time even to plan a trip to London from somewhere else in the country I’d say 🙂
